A common mistake made by non-percussionist music educators is the relegation of weaker percussion students to the bass drum and cymbal chairs. While it may seem reasonable to assign the “harder” parts to stronger percussion students, in actuality it is the accessory instruments that are often more challenging to play and which provide the important rhythmic backbone of a musical composition. John Phillip Sousa knew this all too well. It was reported that his bass drummer, Gus Helmecke, was the highest paid member of the band! In Sousa’s own words:
“The average layman does not realize the importance of the bass drummer to a band… I sometimes think that no band can be greater than its bass drummer because it is given to him, more than to any person except the director, to reflect the rhythm and spirit of the composition.”
The “March King” knew that nothing could sink a performance quicker and more completely than a bass drummer whose sense of rhythm is poor and to whom time is only a spice.
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