One positive thing to come out of the past year is that many of you have started using music technology as a part of your curriculum for the first time. I know you may be tempted to abandon it all, but don’t give up on it just yet. Music tech helped keep your music program viable last year, and it can help you grow it in the future. You’d be surprised at how many students in your school are making music on computers in their bedrooms. Â
Cloud-based software (see SBO April 2021) is still fine for all but the most advanced classes, and it has the added advantage of being somewhat familiar to you now. Most of your students probably used the computer keyboard and mouse to enter music, but that’s slow, awkward, and not very musical. In the classroom, there are better options that will let you go beyond loops and notes.Â
Crash Course in MIDI
Much like a notated part provides instructions to a musician, MIDI (Musical Instrument Digital Interface) provides instructions to virtual instruments. To do that, MIDI uses numeric messages, and there are two types that you need to be concerned with, note on/off and continuous controllers.Â
When you depress a key on a MIDI keyboard, it sends a Note On message with the pitch and volume (MIDI calls this velocity). When you release the key, it sends a note off message (or a note on message with a velocity of 0).Â
Continuous controllers (CC) are a set of programmable messages that add expressiveness to the music and can also operate the software. There are 128 CCs—MIDI’s magic number is 128 (27)—some like volume (#7), pan (#10), and sustain (#64) are commonly defined–but even those can be overridden. Each CC sends out a data value from 0-127.Â
You’ll also run into two other types of messages, pitch bend and aftertouch. Pitch bend differs in that its 128 values are represented as +/- 64, so it can raise or lower pitches. Aftertouch is similar to CCs as it generates a data value and can be assigned to anything you like.Â
You might notice that there is no mention of timing, and that’s because MIDI doesn’t deal with it directly. Instead, your software keeps track of when MIDI messages are received and then uses that information to display it on the screen in a way that makes sense.Â
Of course, there’s a lot more to MIDI than that, and MIDI 2.0 will add even more, but when working with a DAW or notation program, that’s all you need to know. Â
MIDI Controller Devices
The best way to enter notes into a DAW or notation program is with a MIDI controller keyboard. Unlike synthesizers, controller keyboards produce no sound; they only send MIDI messages, making them much less expensive. Keyboards range from two octaves (+1 key for some reason) to a full 88 keys and can have full-size or mini keys. Most are meaning they are spring-loaded (“synth action”) to provide some resistance and can respond to dynamic playing (“velocity-sensitive”). More expensive keyboards might have weighted or hammer action that provides a more realistic piano feel. All modern MIDI keyboards connect to the computer using USB, and some use Bluetooth. Most are USB bus-powered, but some will require external power.Â
There are three basic types of MIDI controller keyboards: general-purpose keyboards, DAW controller keyboards, and piano-action keyboards.Â
General-purpose keyboards are used to enter notes or teach basic theory concepts such as scales and chords. They come with few frills and are the least expensive, generally under $100. They’ll have synth-action and 25 to 61 mini or full-size keys. Larger keyboards will have a pitch bend wheel and a mod wheel that sends CC#1 messages.Â
Mini keyboards are the most affordable option. They have 25 or 32 mini-keys and buttons to change octaves quickly. The small size and simple USB connection mean they are very portable and easily stored. With only two octaves, you’ll only use one hand to play. Mini keyboards are great for note entry in notation programs and work pretty well with DAWs, too, though occasionally the two-octave limit can get in the way. Let’s look at some options.
DAW Controllers
DAW controller keyboards have banks of sliders and rotary knobs that can be programmed to control an on-screen mixer or other functions and a set of pads for drum programming and launching loops. They range in size from 25 to 88 keys, and there are mini and full-size key options. Keyboards are velocity-sensitive and have synth action. The pads are also velocity-sensitive but can be programmed to send note or CC messages.Â
The compact size and multiple functions make these types of keyboards a good option for labs. All models include a software bundle including Ableton Live Lite and virtual instruments, so you have everything you need for an entry-level music production class.Â
One thing to be aware of is that they only send MIDI messages, so they don’t respond to movements you make on the screen with the mouse or automation. Sliders and knobs send fixed values that can cause controls on the screen to jump if they aren’t in sync.Â
Piano Action Keyboards
If your keyboards are going to do double-duty in piano classes, you may want to consider hammer-action keyboards. Some models are just controllers, which will require a connection to a computer as the sound source, while most have a bank of piano and orchestral sounds.Â
Pianists will initially be drawn to these, but they aren’t necessarily the best solution. With 88-keys and hammer action, they take up more space and are heavy. Portable versions will require a heavy-duty stand and a platform to hold the computer. Console versions are not very mobile but are compact enough that you will still find a solution for the computer. In either case, it’s challenging to create a setup that works ergonomically for both piano and computer. You’ll need to consider your priorities, and unless you are training budding Rachmaninov’s, 61-key models may suffice.
The Studiologic SL 88 and 73 ($499) and M-Audio Hammer 88 ($499) are portable hammer action keyboard controllers. Both include pitch bend and modulation controls —SL uses programmable X/Y sticks, while M-Audio uses the standard wheels. Pedals can be connected but are not included with either model.
Many companies make affordable hammer-action digital pianos with onboard sounds. Korg, Roland, Yamaha, Alexis, Casio, and Kawai all have models well under $1000 in either console or portable models.Â
What to Choose?
The most important decision is the type of keyboard. Make it based on your situation and goals. More features are not necessarily better. If you share a lab, a mini keyboard can be the best choice as they are easily stored and set up. For DAW keyboards, choose the one that works best with your software.Â
Over the years, I’ve use products from all of these companies and have had a similar experience, both good and bad, with them all. There is little difference in the build quality, and you can’t go wrong with any of them.Â
Dr. George Hess is professor of music and director of the recording studios at Sunway University in Kuala Lumpur.Â