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Playing Both Sides of the Horn: Approaching the Saxophone As a Classical and Jazz Instrument
Mike Lawson | September 4, 2015
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The saxophone is usually viewed by the wider public as a “jazz instrument,” thanks to nearly one hundred years of iconography associated with that art form. However, most in the music community now recognize that the instrument is capable of performing in any musical style, from contemporary classical to jazz to rock to pop to salsa, and so much more. The saxophone has been viewed by most as a valuable and viable voice in every style of music for decades now. Anyone in the music education profession who claims the saxophone is not an instrument capable of playing classical music is derided as a fogey or curmudgeon. -
Atlanta Symphony President Resigns
Mike Lawson | September 30, 2014President Stanley Romanstein steps down amid labor dispute
The Board of Directors of the Atlanta Symphony Orchestra (ASO) has announced that Stanley Romanstein, Ph.D., has resigned as president and CEO of the orchestra.
Following Dr. Romanstein’s decision, the Executive Committee of the ASO Board appointed Terry Neal, a current ASO Board member and a retired executive of The Coca-Cola Company, to serve as president of the ASO on an interim basis. Mr. Neal will manage the day-to-day operations of the Orchestra until a permanent replacement can be found. Dr. Romanstein will be available to the organization through the end of October to assure a smooth transition.
“I believe that my continued leadership of the ASO would be an impediment to our reaching a new labor agreement with the ASO’s musicians,” Dr. Romanstein said. The previous collective bargaining agreement between the ASO and the Atlanta Symphony Orchestra Players Association expired September 6.
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String Section: Bach
Mike Lawson | March 17, 2014Bringing Bach to the Future
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A hundred years ago, you would be hard-pressed to find an orchestral concert program that did not include something by Johann Sebastian Bach. These days, I find the opposite to be true. You may hear some Bach at a student recital, but on the professional concert circuit, interest in programming Bach seems to be dissipating. More than a few classical music managers have even told me that soloists who play much Bach these days are essentially shooting themselves in the foot.
