A hundred years ago, you would be hard-pressed to find an orchestral concert program that did not include something by Johann Sebastian Bach. These days, I find the opposite to be true. You may hear some Bach at a student recital, but on the professional concert circuit, interest in programming Bach seems to be dissipating. More than a few classical music managers have even told me that soloists who play much Bach these days are essentially shooting themselves in the foot.
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