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One of the most daunting aspects of getting your band ready for contest is preparing them for the sight-reading room. With so much to consider, from the actual music to your preferred procedure for how your band should approach the experience, the percussion section can get lost in the mix. On a good day, the percussion may hardly even be noticed. On a bad day, the percussion section can be a real liability and can potentially create pitfalls that the rest of the band will fall into.
Fortunately, this can be prevented when successful band programs actively apply the saying “plan your work and work your plan.”
Being from Texas, I wrote this from my experiences at UIL Sight-Reading Contest as a band director and as a percussion specialist. It can be expected, however, that many of these strategies will work in other sight-reading Contest formats. Here are eight strategies that will make sure everyone knows their role, has a job to do, and can reasonably understand what to expect when they set foot in the sight-reading room.
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